​SYLLABUS

Advanced Placement (AP) English Literature and Composition is a college level course that encourages thoughtful engagement and rigorous textual and contextual analysis of literary works in a variety of genres, including prose, drama, and poetry, and from a variety of times and places.  Our course texts invite careful reading and rereading and do not yield all of their pleasure of thought and feeling the first time through. 

The central purposes of this engagement are two-fold: 1) these literary works and the scholarship we will read and write about them demonstrate the rhetorical moves we will develop in our own writing this year and 2) careful, close reading, thinking, and analysis of the literary and rhetorical components that comprise our course texts are essential to thoughtful, clear, compelling writing.  It should come as no surprise, then, that active reading, reflection, discussion, and writing make up the majority of the work we will undertake in this course. ​
​ 
This year in AP Literature and Composition, we will explore the interwoven concepts of adaptation, appropriation, and translation.  Each of the four major units will include a “source” text as well as a number of other texts that speak back to that source.  As we consider each of the texts we encounter this year, we will continually develop and refine our own notions of adaptation, appropriation, and translation even while we interrogate the value of those terms as viable categories for literary analysis.  

objectives

Together, we will

• read both widely and deeply, developing a sense of the relationships between texts and the cultural currents that surround them;
• understand that sophisticated thoughts require deliberate and thorough interaction with texts over time and derive from a deep understanding of the rhetorical and symbolic richness within and around those texts;
• understand the utility of a wide variety of literary terms as they coalesce in our course texts to meld meaning and form;
• see that many of the rhetorical moves literary authors make are valuable to use as writers of persuasive essays; and
• understand the immutable connection between thinking deeply and writing well.

reading

The reading in this course is organized into three major guided units, each focusing on a source text in a different major literary genre.  Throughout the year, our literary texts will be supplemented with critical, analytical, and scholarly articles and excerpts that will help us refine our own opinions as scholars while also providing us with examples of persuasive, researched writing to analyze and learn from. 
 
Unit 1 will focus on Mary Shelley’s Frankenstein, Unit 2 will take Titus Andronicus as its source text, and Unit 3 will explore Neoplatonism and the “farewell to love” tradition through poems from the fourteenth century in Italy to now.  We will supplement our understanding of the central texts within each unit by exploring source texts, contexts, adaptations and appropriations of them, including selections from Ovid’s Metamorphoses, Milton’s Paradise Lost, the graphic novel V for Vendetta, films, plays, and their scripts.  As a capstone experience, you will focus toward the end of the year on synthesizing and completing a substantial project of their own devising and will have an opportunity to present this project in an exhibit.  Throughout the year, these units will ask you to return their attention to previous source texts.  Each unit builds on and connects to the units and texts that came before them.  Units and their key texts will be as follows.

Unit 1: The Modern Prometheus
Late August through late October

• Ovid’s Metamorphoses
• Shelley’s Frankenstein
• Shelley’s Frankenstein
• Film and stage adaptations (one in Auburn, which we will travel to see in early November)

Unit 3: Farewell to Love
Early February through late March

• Anne Carson’s Eros the Bittersweet
• Poetry by Petrarch
• Wyatt and Sidney
• Donne, Jonson, and Crashaw
• Aphra Behn and other voices from the Restoration
• Keats and other Romantic period voices
• Hopkins, Rilke, and others

Unit 2: Text, Politics, Terror
Mid-November through late January

• Shakespeare’s Titus Andronicus
• Shakespeare’s King Lear
• Ravenscroft’s Titus Andronicus, or the Rape of Lavinia
• Tate’s The History of King Lear
• Julie Taymor’s Titus

​Unit 4: Portfolios, Retrospectives, and Exhibits
Early April through mid-May 

writing

You can expect to complete one major written assignment in each of the first three units, shorter written assignments approximately once each week, homework that is typed and submitted via Canvas multiple times each week, and one major, multimodal project in Unit 4 that incorporates both creative and persuasive writing.  Both the creative and persuasive components of this project should stake a claim – perhaps implicitly and explicitly, respectively – about the scholarly concepts driving our engagement with our course texts this year and prompted by intersections of their own intellectual interests and the central concepts we will explore together.  Long, formal assignments will require research, scaffolded drafting, peer review workshopping, and revision.  You may revise each of the major written projects required in units 1-3 twice.
 
Ongoing assignments will include shorter pieces of carefully prepared writing and a commonplace book.  The shorter weekly written assignments will, at times, ask you to identify and analyze key literary concepts, construct an interpretation of a moment within a text and develop a claim based on that interpretation, analyze the organizational and stylistic decisions made by authors on our reading list, explore the social and cultural implications of moments within our course texts, etc.  The form of these shorter assignments will vary and might include blog posts, timed writing, reading responses, entries in a class dictionary of literary terms, etc.  As you read and think, you will also keep a commonplace book, incorporating quotes from their readings, their own thoughts as you read, sketches, etc., upon which you’ll reflect at least bi-weekly.  Finally, over the course of the year, you will also collect and curate the assignments you create into an online portfolio. 
 
Each of these writing assignments will ask you to form and practice the habits of mind necessary to succeed on the AP exam as well as in their future roles as college students and lifelong learners. 
 
Assignment sheets and rubrics explaining the requirements and logistics for each major project will be provided at the beginning of each unit.

course 
​policies

• Course texts, commonplace book, course notebook or binder, and laptop should be brought to class daily.
• You should expect to complete most reading for this course outside of class time.  All course readings should be carefully annotated and commonplaced about.
• You should come to class prepared to carefully discuss and pose sophisticated questions to classmates about all assigned readings.
• All course assignments will be posted to Canvas on the date you are due.  Scaffolded steps leading up to the completion of an assignment (reading, research, drafting, etc.) will be posted to help you manage their time effectively.  

---

​GRADING AGREEMENT