• teaching
    • Portfolio >
      • teaching philosophy
      • vita
    • 2021-2022 Courses >
      • Adaptation + Appropriation 7.0 - AP Literature + Composition >
        • AP Lit Summer Work 2021-2022
        • AP Lit Policies
    • 2021-2022 Courses >
      • Adaptation + Appropriation 6.0 - AP Literature + Composition >
        • AP Lit Summer Work 2020-2021
        • AP Lit Policies
      • 2020-2021 Topics in Philosophy
    • 2019-2020 Courses >
      • Adaptation + Appropriation 5.0 - AP Literature + Composition >
        • AP Lit Summer Work 2019-2020
        • AP Lit Policies
      • 2019-2020 Senior Seminar: The Bard
    • Past Courses >
      • 2018-2019 Courses >
        • Adaptation + Appropriation 4.0 - AP Literature + Composition >
          • AP Lit Summer Work 2017-2018
          • AP Lit Policies
        • 2018-2019 Senior Seminar: The Bard >
          • Bard Battles >
            • 3rd Period Group 1
            • 3rd Period Group 2
            • 3rd Period Group 3
            • 3rd Period Group 4
            • 5th Period Group 1
            • 5th Period Group 2
            • 5th Period Group 3
      • 2017-2018 Courses >
        • Adaptation + Appropriation 3.0 - AP Literature + Composition >
          • Application Guidelines
          • AP Lit Summer Work 2017-2018
          • AP Lit Policies
      • 2016-2017 Courses >
        • Adaptation + Appropriation 2.0 - AP Literature + Composition >
          • AP Lit Policies
          • AP Lit Unit Plans
          • AP Lit Student Sites
          • AP Lit Summer Work 2016-2017
        • Senior Seminar: Best Books >
          • Best Books Syllabus and Grading Agreement
        • Senior Seminar: Revenge >
          • Revenge Syllabus and Grading Agreement
        • Senior Seminar: Political Theater >
          • Political Theater Syllabus and Grading Agreement
      • Brit Lit Fall 2015: The Bard >
        • Commonplacing Beowulf
        • Chaucer Vocabulary Wiki
        • Digital Tapestry: Chaucer's Pilgrims and their Tales >
          • 21-st Century Tapestry Winner & Notes >
            • The Miller
            • The Shipman
            • Chaucer the Pilgrim
            • The Parson
            • The Clerk
            • The Host
            • The Ploughman
            • The Manciple
            • The Yeoman
            • The Pardoner
            • The Wife of Bath
            • The Sergeant of Law
            • The Knight
            • The Friar
            • The Doctor
            • The Summoner
            • The Prioress
      • Maymester 2015 | ENG 221 RW Advanced Writing Workshop: Space | Place | Self
      • Spring 2015 | ENG 221 Advanced Writing Workshop | "Place, Space, & Self" >
        • Blog Post of the Week
        • Student Sites
      • Fall 2014 | ENG 221 Advanced Writing Workshop | "Place" >
        • Assignment Sequence
        • Student Sites
      • Spring 2014 | ENG 101 | "You Are What You Eat" >
        • Assignment Sequence
        • Assignments
        • Blog Roll
        • Vocabulary Wiki
      • multimodal lyric
      • women writing love
    • Representative Projects >
      • Mock Presidential Debate
      • Adapting Hamlet
      • Visualizing Donne
    • place-based learning >
      • writing the resistance | london, belfast, dublin
      • Athens, Rome, Florence: The Geography of Genius Excursion 2019
      • Living Literary London 2018
      • Galloway Goes West 2017
  • writing
  • teaching
    • Portfolio >
      • teaching philosophy
      • vita
    • 2021-2022 Courses >
      • Adaptation + Appropriation 7.0 - AP Literature + Composition >
        • AP Lit Summer Work 2021-2022
        • AP Lit Policies
    • 2021-2022 Courses >
      • Adaptation + Appropriation 6.0 - AP Literature + Composition >
        • AP Lit Summer Work 2020-2021
        • AP Lit Policies
      • 2020-2021 Topics in Philosophy
    • 2019-2020 Courses >
      • Adaptation + Appropriation 5.0 - AP Literature + Composition >
        • AP Lit Summer Work 2019-2020
        • AP Lit Policies
      • 2019-2020 Senior Seminar: The Bard
    • Past Courses >
      • 2018-2019 Courses >
        • Adaptation + Appropriation 4.0 - AP Literature + Composition >
          • AP Lit Summer Work 2017-2018
          • AP Lit Policies
        • 2018-2019 Senior Seminar: The Bard >
          • Bard Battles >
            • 3rd Period Group 1
            • 3rd Period Group 2
            • 3rd Period Group 3
            • 3rd Period Group 4
            • 5th Period Group 1
            • 5th Period Group 2
            • 5th Period Group 3
      • 2017-2018 Courses >
        • Adaptation + Appropriation 3.0 - AP Literature + Composition >
          • Application Guidelines
          • AP Lit Summer Work 2017-2018
          • AP Lit Policies
      • 2016-2017 Courses >
        • Adaptation + Appropriation 2.0 - AP Literature + Composition >
          • AP Lit Policies
          • AP Lit Unit Plans
          • AP Lit Student Sites
          • AP Lit Summer Work 2016-2017
        • Senior Seminar: Best Books >
          • Best Books Syllabus and Grading Agreement
        • Senior Seminar: Revenge >
          • Revenge Syllabus and Grading Agreement
        • Senior Seminar: Political Theater >
          • Political Theater Syllabus and Grading Agreement
      • Brit Lit Fall 2015: The Bard >
        • Commonplacing Beowulf
        • Chaucer Vocabulary Wiki
        • Digital Tapestry: Chaucer's Pilgrims and their Tales >
          • 21-st Century Tapestry Winner & Notes >
            • The Miller
            • The Shipman
            • Chaucer the Pilgrim
            • The Parson
            • The Clerk
            • The Host
            • The Ploughman
            • The Manciple
            • The Yeoman
            • The Pardoner
            • The Wife of Bath
            • The Sergeant of Law
            • The Knight
            • The Friar
            • The Doctor
            • The Summoner
            • The Prioress
      • Maymester 2015 | ENG 221 RW Advanced Writing Workshop: Space | Place | Self
      • Spring 2015 | ENG 221 Advanced Writing Workshop | "Place, Space, & Self" >
        • Blog Post of the Week
        • Student Sites
      • Fall 2014 | ENG 221 Advanced Writing Workshop | "Place" >
        • Assignment Sequence
        • Student Sites
      • Spring 2014 | ENG 101 | "You Are What You Eat" >
        • Assignment Sequence
        • Assignments
        • Blog Roll
        • Vocabulary Wiki
      • multimodal lyric
      • women writing love
    • Representative Projects >
      • Mock Presidential Debate
      • Adapting Hamlet
      • Visualizing Donne
    • place-based learning >
      • writing the resistance | london, belfast, dublin
      • Athens, Rome, Florence: The Geography of Genius Excursion 2019
      • Living Literary London 2018
      • Galloway Goes West 2017
  • writing
LAUREN HOLT
  • teaching
    • Portfolio >
      • teaching philosophy
      • vita
    • 2021-2022 Courses >
      • Adaptation + Appropriation 7.0 - AP Literature + Composition >
        • AP Lit Summer Work 2021-2022
        • AP Lit Policies
    • 2021-2022 Courses >
      • Adaptation + Appropriation 6.0 - AP Literature + Composition >
        • AP Lit Summer Work 2020-2021
        • AP Lit Policies
      • 2020-2021 Topics in Philosophy
    • 2019-2020 Courses >
      • Adaptation + Appropriation 5.0 - AP Literature + Composition >
        • AP Lit Summer Work 2019-2020
        • AP Lit Policies
      • 2019-2020 Senior Seminar: The Bard
    • Past Courses >
      • 2018-2019 Courses >
        • Adaptation + Appropriation 4.0 - AP Literature + Composition >
          • AP Lit Summer Work 2017-2018
          • AP Lit Policies
        • 2018-2019 Senior Seminar: The Bard >
          • Bard Battles >
            • 3rd Period Group 1
            • 3rd Period Group 2
            • 3rd Period Group 3
            • 3rd Period Group 4
            • 5th Period Group 1
            • 5th Period Group 2
            • 5th Period Group 3
      • 2017-2018 Courses >
        • Adaptation + Appropriation 3.0 - AP Literature + Composition >
          • Application Guidelines
          • AP Lit Summer Work 2017-2018
          • AP Lit Policies
      • 2016-2017 Courses >
        • Adaptation + Appropriation 2.0 - AP Literature + Composition >
          • AP Lit Policies
          • AP Lit Unit Plans
          • AP Lit Student Sites
          • AP Lit Summer Work 2016-2017
        • Senior Seminar: Best Books >
          • Best Books Syllabus and Grading Agreement
        • Senior Seminar: Revenge >
          • Revenge Syllabus and Grading Agreement
        • Senior Seminar: Political Theater >
          • Political Theater Syllabus and Grading Agreement
      • Brit Lit Fall 2015: The Bard >
        • Commonplacing Beowulf
        • Chaucer Vocabulary Wiki
        • Digital Tapestry: Chaucer's Pilgrims and their Tales >
          • 21-st Century Tapestry Winner & Notes >
            • The Miller
            • The Shipman
            • Chaucer the Pilgrim
            • The Parson
            • The Clerk
            • The Host
            • The Ploughman
            • The Manciple
            • The Yeoman
            • The Pardoner
            • The Wife of Bath
            • The Sergeant of Law
            • The Knight
            • The Friar
            • The Doctor
            • The Summoner
            • The Prioress
      • Maymester 2015 | ENG 221 RW Advanced Writing Workshop: Space | Place | Self
      • Spring 2015 | ENG 221 Advanced Writing Workshop | "Place, Space, & Self" >
        • Blog Post of the Week
        • Student Sites
      • Fall 2014 | ENG 221 Advanced Writing Workshop | "Place" >
        • Assignment Sequence
        • Student Sites
      • Spring 2014 | ENG 101 | "You Are What You Eat" >
        • Assignment Sequence
        • Assignments
        • Blog Roll
        • Vocabulary Wiki
      • multimodal lyric
      • women writing love
    • Representative Projects >
      • Mock Presidential Debate
      • Adapting Hamlet
      • Visualizing Donne
    • place-based learning >
      • writing the resistance | london, belfast, dublin
      • Athens, Rome, Florence: The Geography of Genius Excursion 2019
      • Living Literary London 2018
      • Galloway Goes West 2017
  • writing

Picture


SYLLABUS

Advanced Placement (AP) English Literature and Composition is a college level course that encourages thoughtful engagement and rigorous textual and contextual analysis of literary works in a variety of genres, including prose, drama, and poetry, and from a variety of times and places.  Our course texts invite careful reading and rereading and do not yield all of their pleasure of thought and feeling the first time through. ​
The central purposes of this engagement are two-fold: 1) these literary works and the scholarship we will read and write about them demonstrate the rhetorical moves we will develop in our own writing this year and 2) careful, close reading, thinking, and analysis of the literary and rhetorical components that comprise our course texts are essential to thoughtful, clear, compelling writing.  It should come as no surprise, then, that active reading, reflection, discussion, and writing make up the majority of the work we will undertake in this course. ​
​ 
This year in AP Literature and Composition, we will explore the interwoven concepts of adaptation, appropriation, and translation.  Each of the four major units will include a “source” text as well as a number of other texts that speak back to that source.  As we consider each of the texts we encounter this year, we will continually develop and refine our own notions of adaptation, appropriation, and translation even while we interrogate the value of those terms as viable categories for literary analysis.  

objectives

Together, we will
  • read both widely and deeply, developing a sense of the relationships between texts and the cultural currents that surround them;
  • understand that sophisticated thoughts require deliberate and thorough interaction with texts over time and derive from a deep understanding of the rhetorical and symbolic richness within and around those texts;
  • understand the utility of a wide variety of literary terms as they coalesce in our course texts to meld meaning and form;
  • see that many of the rhetorical moves literary authors make are valuable to use as writers of persuasive essays; and
  • understand the immutable connection between thinking deeply and writing well.

reading

The reading in this course is organized into three major guided units, each focusing on a source text in a different major literary genre.  Throughout the year, our literary texts will be supplemented with critical, analytical, and scholarly articles and excerpts that will help us refine our own opinions as scholars while also providing us with examples of persuasive, researched writing to analyze and learn from. 
 
Unit 1 will focus on Mary Shelley’s Frankenstein, Unit 2 will take Titus Andronicus as its source text, and Unit 3 will explore Neoplatonism and the “farewell to love” tradition through poems from the fourteenth century in Italy to now.  We will supplement our understanding of the central texts within each unit by exploring source texts, contexts, adaptations and appropriations of them, including selections from Ovid’s Metamorphoses, Milton’s Paradise Lost, the graphic novel V for Vendetta, films, plays, and their scripts.  As a capstone experience, you will focus toward the end of the year on synthesizing and completing a substantial project of their own devising and will have an opportunity to present this project in an exhibit.  Throughout the year, these units will ask you to return their attention to previous source texts.  Each unit builds on and connects to the units and texts that came before them.  Units and their key texts will be as follows.
Unit 1: The Modern Prometheus
  • Ovid’s Metamorphoses
  • Shelley’s Frankenstein
  • Shelley’s Frankenstein
  • Film and stage adaptations (one in Auburn, which we will travel to see in early November)
Unit 2: Farewell to Love
  • Anne Carson’s Eros the Bittersweet
  • Poetry by Petrarch
  • Wyatt and Sidney
  • Donne, Jonson, and Crashaw
  • Aphra Behn and other voices from the Restoration
  • Keats and other Romantic period voices
  • Hopkins, Rilke, and others
Unit 3: Text, Politics, Terror
  • Shakespeare’s Titus Andronicus
  • Shakespeare’s King Lear
  • Ravenscroft’s Titus Andronicus, or the Rape of Lavinia
  • Tate’s The History of King Lear
  • Julie Taymor’s Titus
​Unit 4: Portfolios, Retrospectives, Capstone, and Symposium

writing

You can expect to complete one major written assignment in each of the first three units, shorter written assignments approximately once each week, homework that is typed and submitted via Canvas multiple times each week, and your transdisciplinary, multimodal Capstone Project, which culminates in Unit 4.  Long, formal assignments will require careful and thoughtful analysis, scaffolded drafting, peer review workshopping, and revision.  You may revise each of the major written projects once.
 
Ongoing assignments will include shorter pieces of carefully prepared writing and a commonplace book.  The shorter weekly-ish written assignments will, at times, ask you to identify and analyze key literary concepts, construct an interpretation of a moment within a text and develop a claim based on that interpretation, analyze the organizational and stylistic decisions made by authors on our reading list, explore the social and cultural implications of moments within our course texts, etc.  The form of these shorter assignments will vary and might include blog posts, timed writing, reading responses, entries in a class dictionary of literary terms, etc.  As you read and think, you will also keep a commonplace book, incorporating quotes from the readings, your own thoughts as you read, sketches, etc..  Finally, over the course of the year, you will also collect and curate the assignments you create into an online portfolio. 
 
Each of these writing assignments will ask you to form and practice the habits of mind necessary to succeed on the AP exam as well as in their future roles as college students and lifelong learners. 
 
Assignment sheets and rubrics explaining the requirements and logistics for each major project will be provided at the beginning of each unit.

course policies

  • Course texts, commonplace book, course notebook or binder, and laptop should be brought to class daily.
  • You should expect to complete most reading for this course outside of class time.  All course readings should be carefully annotated and commonplaced about.
  • You should come to class prepared to carefully discuss and pose sophisticated questions to classmates about all assigned readings.
  • All course assignments will be posted to Canvas on the date they are due.  Scaffolded steps leading up to the completion of an assignment (reading, research, drafting, etc.) will be posted to help you manage your time effectively.  

Picture

GRADING AGREEMENT

Photos used under Creative Commons from billznn, Women's Studio Workshop Free Public Domain Illustrations by rawpixel